Four Weeks in the Trenches - The War Story of a Violinist by Fritz Kreisler
page 16 of 44 (36%)
page 16 of 44 (36%)
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downward again. The acme for both kinds of shells naturally was
exactly the half distance between the Russian and Austrian artillery and this was the point where I had noticed that the difference was the least marked. A few days later, in talking over my observation with an artillery officer, I was told the fact was known that the shells sounded different going up than when coming down, but this knowledge was not used for practical purposes. When I told him that I could actually determine by the sound the exact place where a shell coming from the opposing batteries was reaching its acme, he thought that this would be of great value in a case where the position of the opposing battery was hidden and thus could be located. He apparently spoke to his commander about me, for a few days later I was sent on a reconnoitering tour, with the object of marking on the map the exact spot where I thought the hostile shells were reaching their acme, and it was later on reported to me that I had succeeded in giving to our batteries the almost exact range of the Russian guns. I have gone into this matter at some length, because it is the only instance where my musical ear was of value during my service. To return to my narrative, the losses which my battalion suffered that day seemed extraordinarily small when compared with the accuracy of the Russian artillery's aim and the number of missiles they fired. I counted seventy-four shrapnel that burst in a circle of half a mile around us in about two hours, and yet we had no more than about eighteen casualties. The most difficult part was to lie still and motionless while death was being dealt all about us and it was then and there that I had my first experience of seeing death next to me. A soldier of my platoon, while digging in the trench, suddenly leaned back, began to cough like an old man, a little blood broke |
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