The German Classics of the Nineteenth and Twentieth Centuries, Volume 01 - Masterpieces of German Literature Translated into English. by Unknown
page 64 of 706 (09%)
page 64 of 706 (09%)
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German public; he saw that he must wait for the growth of the taste by
which he was to be understood and enjoyed. Matters were hardly made better by his taking Christiane Vulpius into his house as his unwedded wife. This step, which shocked Weimar society--except the duke and Herder--had the effect of ending his unwholesome relation to Frau von Stein, who was getting old and peevish. The character of Christiane has often been pictured too harshly. She was certainly not her husband's intellectual peer--he would have looked long for a wife of that grade--and she became a little too fond of wine. On the other hand, she was affectionate, devoted, true, and by no means lacking in mental gifts. She and Goethe were happy together and faithful to each other. For several years after his return from Italy Goethe wrote nothing that is of much importance in the history of his literary life. He devoted himself largely to scientific studies in plant and animal morphology and the theory of color. His discovery of the intermaxillary bone in the human skull, and his theory that the lateral organs of a plant are but successive phases of the leaf, have given him an assured if modest place in the history of the development hypothesis. On the other hand, his long and laborious effort to refute Newton's theory of the composition of white light is now generally regarded as a misdirection of energy. In his _Roman Elegies_ (1790) he struck a note of pagan sensuality. The pensive distichs, telling of the wanton doings of Amor amid the grandeur that was Rome, were a little shocking in their frank portraiture of the emancipated flesh. The outbreak of violence in France seemed to him nothing but madness and folly, since he did not see the real Revolution, but only the Paris Terror. |
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