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The Loves of Krishna in Indian Painting and Poetry by W. G. Archer
page 138 of 215 (64%)
who were similarly encouraged to interpret the Krishna theme.[110] Their
style was clearly influenced by that of the master but in their use of
slender leafless branches and towering spikes of blossom, they developed a
special Garhwal imagery designed to suggest the slender beauty of
love-enchanted girls. After the expulsion of the Gurkhas in 1816, a new
Raja revived Garhwal painting. Krishna the lover was once again portrayed
and until the middle of the nineteenth century, pictures continued to be
produced blending the delights of courtly passion with adoration of God.

It was in the state of Kangra, however, that the greatest developments
occurred. In 1775, the young Sansar Chand became Raja, and despite his
extreme youth, quickly acquired mastery of the Kangra court. It is
unlikely that artists were immediately summoned, but certainly by 1780 a
flourishing school of painters had come into existence.[111] As at Garhwal,
the artists of Kangra came originally from Guler and thus a similar
phenomenon arises--the Guler manner providing the basis for yet a second
great style. Sansar Chand was obviously quite exceptional, for not only
was he successful in politics and war, but from his early manhood was
devoted to Krishna as lover god. And it is this all-absorbing interest
which explains the vast expansion of painting which now occurred. Under
Sansar Chand's stimulus artists began to portray every situation involving
Krishna, the cowherd. He was shown as a baby crying for the moon, being
washed by his foster-mother, Yasoda, or mischievously breaking pitchers
full of curds. He would be painted strolling with the cowherds, playing on
his flute, or bringing the cattle home at evening. But the main theme to
which the artists constantly returned was his main cowgirl love. Radha
would be shown standing with Krishna in the forest, gazing trustfully into
his eyes, seeking shelter with him from the rain or sitting with him by a
stream.[112] Sometimes she and the cowgirls were shown celebrating the
spring festival of Holi, Krishna syringing them with tinted water while
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