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The Loves of Krishna in Indian Painting and Poetry by W. G. Archer
page 153 of 215 (71%)

Note 10, p. 33.

Although part of the supreme Trinity, Brahma was often treated in
literature as an ordinary god who ambled gently about the world, was often
rather absent-minded, sometimes behaved as if he were a priest, and was
prone, as on the present occasion, to act a trifle misguidedly.


Note 12, p. 40.

The scene is illustrated in two Kangra and Guler paintings (Archer,
_Indian Painting in the Punjab Hills_, Figs. 10 and 23).


Note 12, p. 58.

Pragjyotisha--a city situated in the east, in Kamarupa on the borders of
Assam. According to the _Vishnu Purana_ (Wilson, 582), its environs were
defended by 'nooses, constructed by the demon Mura (Naraka's ally), the
edges of which were as sharp as razors.' Mura had seven thousand sons (not
seven, as stated in the _Bhagavata_). All, however, were 'burnt like moths
with the flame of the edge of Krishna's discus.'


Note 13, p. 67.

Basham (op. cit., 305) points out that elements in the Krishna story such
as the destruction of the Yadavas and the death of the god are 'quite
un-Indian in their tragic character. The themes of the drunken brawl
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