The Loves of Krishna in Indian Painting and Poetry by W. G. Archer
page 154 of 215 (71%)
page 154 of 215 (71%)
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leading to a general slaughter, of the hero slain by an arrow piercing his
one vulnerable spot, and of the great city engulfed by the sea, are well-known in European epic literature, but do not occur elsewhere in that of India and are not hinted at in the Vedas. The concept of the dying god, so widespread in the ancient Near East, is found nowhere else in Indian mythology.' It is unfortunate that Krishna's reasons for destroying the Yadava race are nowhere made very clear. The affront to the Brahmans is the immediate occasion for the slaughter but hardly its actual cause; and, if it is argued that the Yadavas must first be destroyed in order to render Krishna's withdrawal from the world complete, we must then assume that the Yadavas are in some mysterious way essential parts of Krishna himself. Such a status, however, does not seem to be claimed for them and none of the texts suggest that this is so. The slaughter, therefore, remains an enigma. Note 14, p. 68. Wilson (op. cit., 608) summarizing the portents listed in the _Mahabharata_ but not included in the _Vishnu_ or _Bhagavata Puranas_. Note 15, p. 72. From the _Brihadaranyaka_, quoted A. Danielou, 'An Approach to Hindu Erotic Sculpture,' _Marg_, Vol. II, No. i, 88. For a Western expression of this point of view, compare Eric Gill, 'Art and Love,' _Rupam_ (Calcutta, 1925), No. 21, 5. |
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