The Loves of Krishna in Indian Painting and Poetry by W. G. Archer
page 30 of 215 (13%)
page 30 of 215 (13%)
![]() | ![]() |
|
says. 'Why have you not given me anything to eat?' And in a fit of
petulance he starts to throw the butter about and kick over the pitchers. Yasoda tells him not to be so naughty, sits him on her lap and gives him some milk. While she is doing this, a cowgirl tells her that the milk has boiled over and Yasoda jumps up leaving Krishna alone. While she is away he breaks the pots, scatters the curds, makes a mess of all the rooms and, taking a pot full of butter, runs away with it into the fields. There he seats himself on an upturned mortar, assembles the other boys and vastly pleased with himself, laughingly shares the butter out. When Yasoda returns and sees the mess, she seizes a stick and goes to look for Krishna. She cannot find it in her heart, however, to be angry for long and when Krishna says, 'Mother, let me go. I did not do it,' she laughs and throws the stick away. Then pretending to be still very angry, she takes him home and ties him to a mortar. A little later a great crash is heard. Two huge trees have fallen and when the cowherds hurry to the spot, they find that Krishna has dragged the mortar between the trunks, pulled them down and is quietly sitting between them.[17] Two youths--by name Nala and Kuvara--have been imprisoned in the trees and Krishna's action has released them. When she sees that Krishna is safe, Yasoda unties him from the mortar and hugs him to her. This incident of the trees now forces Nanda to make a decision. The various happenings have been profoundly unnerving and he feels that it is no longer safe to stay in Gokula. He decides therefore to move a day's march farther on, to cross the river and settle in the forests of Brindaban. The cowherds accordingly load up their possessions on carts and the move ensues.[18] The story now enters its second phase. Krishna is no longer a mischievous baby, indulging in tantrums yet wringing the heart with his childish |
|