The Loves of Krishna in Indian Painting and Poetry by W. G. Archer
page 76 of 215 (35%)
page 76 of 215 (35%)
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wielding a club and neither securing the advantage. Krishna now learns
that Jarasandha can only be killed if he is split in two. He directs Bhima, therefore, to throw him down, place a foot on one of his thighs and catching the other leg with his hand, tear him asunder. Bhima does so and in this way Jarasandha is destroyed. The captive rajas are now released and after returning home they foregather at the Pandavas' court to assist at the sacrifice. As arrangements proceed an incident occurs which illustrates yet again the complex situation arising from Krishna's dual character. Krishna is God, yet he is also man. Being a man, it is normally as a man that he is regarded. Yet from time to time particular individuals sense his Godhead and then he is no longer man but God himself. Even those, however, who view him as God do so only for brief periods of time and hence the situation is constantly arising in which Krishna is one moment honoured as God and then a moment later is treated as a man. And it is this situation which now recurs. As we have already seen in the epic, part of the custom at imperial sacrifices was to offer presents to distinguished guests, and according to the epic the person chosen to receive the first present was Krishna himself. The _Purana_ changes this by substituting gods for guests. Yudhisthira is uncertain who should be worshipped first. 'Who is the great lord of the gods,' he asks, 'to whom we should bow our heads?' To this a Pandava gives a clear answer. Krishna, he says, is god of gods. 'No one understands his nature. He is lord of Brahma, Siva and Indra. It is he who creates, preserves and destroys. His work is endless. He is the unseen and imperishable. He descends upon the earth continually for the sake of his worshippers and assuming mortal form appears and acts like a mortal. He sits in our houses and calls us 'brothers.' We are deluded by his power |
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