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Account of a Tour in Normandy, Volume 2 by Dawson Turner
page 20 of 300 (06%)
on the cathedral, at Toro, five feet long. The proper name of it is the
_rote_, so called from the internal wheel or cylinder, turned by a
winch, which caused the _bourdon_, whilst the performer stopped the
notes on the strings with his fingers. This instrument has been very
ignorantly termed a _vielle_, and yet continues to be so called in
France. It is the modern Savoyard _hurdy-gurdy_, as we still more
improperly term it; for the hurdy-gurdy is quite a different instrument.
In later times, the _rote_ appears to have lost its rank in concert, and
was called the _beggar's lyre_.--No. 4 is evidently the _syrinx_, or
_Pan's pipe_, which has been revived with so much success in the streets
of London.--Twiss shewed me one forty years ago, that he got in the
south of France, where they were then very common.--No. 5 is an
instrument for which I can find no name, nor can I immediately call to
memory any other representation of it. It has some resemblance to the
old Welsh fiddle or _crowth_; but, as a bow is wanting, it must have
been played with the fingers; and I think the performer's left hand in
the sculpture does seem to be stopping the strings on the upper part, or
neck, a portion of which has been probably broken off.--I suspect it to
be the old _mandore_, whence the more modern _mandolin_. The rotundity
of the sounding-board may warrant this conjecture.--No. 6 was called the
_psalterion_, and is of very great antiquity, (I mean as to the middle
ages).--Its form was very diversified, and frequently triangular. It was
played with a _plectrum_, which the performer holds in his right
hand.--No. 7 is the _dulcimer_, which is very common in sculpture. This
instrument appears, as in the present case, to have been sometimes
played with the fingers only, and sometimes with a _plectrum_.--No. 8 is
the real _vielle_, or _violin_, of very common occurrence, and very
ancient.--No. 9 is a female tumbler, or _tomllesterre_, as Chaucer calls
them. This profession, so far as we can depend on ancient
representation, appears to have exclusively belonged to women.--No. 10.
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