Maria, or the Wrongs of Woman by Mary Wollstonecraft
page 16 of 152 (10%)
page 16 of 152 (10%)
![]() | ![]() |
|
compensation, or reward; but the style in which she was repulsed made
her cautious, and determine not to renew the subject, till she knew more of the character she had to work on. Jemima's countenance, and dark hints, seemed to say, "You are an extraordinary woman; but let me consider, this may only be one of your lucid intervals." Nay, the very energy of Maria's character, made her suspect that the extraordinary animation she perceived might be the effect of madness. "Should her husband then substantiate his charge, and get possession of her estate, from whence would come the promised annuity, or more desired protection? Besides, might not a woman, anxious to escape, conceal some of the circumstances which made against her? Was truth to be expected from one who had been entrapped, kidnapped, in the most fraudulent manner?" In this train Jemima continued to argue, the moment after compassion and respect seemed to make her swerve; and she still resolved not to be wrought on to do more than soften the rigour of confinement, till she could advance on surer ground. Maria was not permitted to walk in the garden; but sometimes, from her window, she turned her eyes from the gloomy walls, in which she pined life away, on the poor wretches who strayed along the walks, and contemplated the most terrific of ruins--that of a human soul. What is the view of the fallen column, the mouldering arch, of the most exquisite workmanship, when compared with this living memento of the fragility, the instability, of reason, and the wild luxuriancy of noxious passions? Enthusiasm turned adrift, like some rich stream overflowing its banks, rushes forward with destructive velocity, inspiring a sublime concentration of thought. Thus thought Maria--These are the ravages over which humanity must ever mournfully ponder, with a degree of anguish not excited by crumbling marble, or cankering brass, |
|