Maria, or the Wrongs of Woman by Mary Wollstonecraft
page 17 of 152 (11%)
page 17 of 152 (11%)
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unfaithful to the trust of monumental fame. It is not over the decaying
productions of the mind, embodied with the happiest art, we grieve most bitterly. The view of what has been done by man, produces a melancholy, yet aggrandizing, sense of what remains to be achieved by human intellect; but a mental convulsion, which, like the devastation of an earthquake, throws all the elements of thought and imagination into confusion, makes contemplation giddy, and we fearfully ask on what ground we ourselves stand. Melancholy and imbecility marked the features of the wretches allowed to breathe at large; for the frantic, those who in a strong imagination had lost a sense of woe, were closely confined. The playful tricks and mischievous devices of their disturbed fancy, that suddenly broke out, could not be guarded against, when they were permitted to enjoy any portion of freedom; for, so active was their imagination, that every new object which accidentally struck their senses, awoke to phrenzy their restless passions; as Maria learned from the burden of their incessant ravings. Sometimes, with a strict injunction of silence, Jemima would allow Maria, at the close of evening, to stray along the narrow avenues that separated the dungeon-like apartments, leaning on her arm. What a change of scene! Maria wished to pass the threshold of her prison, yet, when by chance she met the eye of rage glaring on her, yet unfaithful to its office, she shrunk back with more horror and affright, than if she had stumbled over a mangled corpse. Her busy fancy pictured the misery of a fond heart, watching over a friend thus estranged, absent, though present--over a poor wretch lost to reason and the social joys of existence; and losing all consciousness of misery in its excess. What a task, to watch the light of reason quivering in the eye, or with |
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