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The Influence of Old Norse Literature on English Literature by Conrad Hjalmar Nordby
page 26 of 116 (22%)
But the time had not come for the presentation of those pieces.

All of these translations were from the Latin versions extant in Percy's
time. This volume copied Hickes's translation of "Hervor's Incantation"
modified in a few particulars, and like that one, the other translations
in this volume were in prose. The work is done as well as possible, and
it remained for later scholars to point out errors in translation. The
negative contractions in Icelandic were as yet unfamiliar, and so, as
Walter Scott pointed out (in _Edin. Rev._, Oct., 1806), Percy made
Regner Lodbrog say, "The pleasure of that day (of battle, p. 34 in this
_Five Pieces_) was like having a fair virgin placed beside one in the
bed," and "The pleasure of that day was like kissing a young widow at
the highest seat of the table," when the poet really made the contrary
statement.

Of course, the value of this book depends upon the view that is taken of
it. Intrinsically, as literature, it is well-nigh valueless. It
indicates to us, however, a constantly growing interest in the
literature it reveals, and it undoubtedly directed the attention of the
poets of the succeeding generation to a field rich in romantic
possibilities. That no great work was then created out of this material
was not due to neglect. As we shall see, many puny poets strove to
breathe life into these bones, but the divine power was not in the
poets. Some who were not poets had yet the insight to feel the value of
this ancient literature, and they made known the facts concerning it. It
seems a mechanical and unpromising way to have great poetry written,
this calling out, "New Lamps for Old." Yet it is on record that great
poems have been written at just such instigation.


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