The Age of Shakespeare by Algernon Charles Swinburne
page 47 of 245 (19%)
page 47 of 245 (19%)
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in the personal accent of his subdued and dignified appeal to the
casual reader, suggestive of a sense that the higher triumphs of art, the brighter prosperities of achievement, were not reserved for him; and yet not unsuggestive of a consciousness that, if this be so, it is not so through want of the primal and essential qualities of a poet. For, as Lamb says, Dekker "had poetry enough for anything"; at all events, for anything which can be accomplished by a poet endowed in the highest degree with the gifts of graceful and melodious fancy, tender and cordial humor, vivid and pathetic realism, a spontaneous refinement and an exquisite simplicity of expression. With the one great gift of seriousness, of noble ambition, of self-confidence rooted in self-respect, he must have won an indisputable instead of a questionable place among the immortal writers of his age. But this gift had been so absolutely withheld from him by nature or withdrawn from him by circumstance that he has left us not one single work altogether worthy of the powers now revealed and now eclipsed, now suddenly radiant and now utterly extinct, in the various and voluminous array of his writings. Although his earlier plays are in every way superior to his later, there is evidence even in the best of them of the author's infirmity of hand. From the first he shows himself idly or perversely or impotently prone to loosen his hold on character and story alike before his plot can be duly carried out or his conceptions adequately developed. His "pleasant Comedie of 'The Gentle Craft,'" first printed three years before the death of Queen Elizabeth, is one of his brightest and most coherent pieces of work, graceful and lively throughout, if rather thin-spun and slight of structure: but the more serious and romantic part of the action is more lightly handled than the broad light comedy of the mad and merry Lord Mayor Simon Eyre, a figure in the main original and humorous enough, but somewhat over-persistent in ostentation and repetition of jocose catch-words after the fashion of |
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