The Age of Shakespeare by Algernon Charles Swinburne
page 48 of 245 (19%)
page 48 of 245 (19%)
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mine host of the Garter; a type which Shakespeare knew better than to
repeat, but of which his inferiors seem to have been enamoured beyond all reason. In this fresh and pleasant little play there are few or no signs of the author's higher poetic abilities: the style is pure and sweet, simple and spontaneous, without any hint of a quality not required by the subject: but in the other play of Dekker's which bears the same date as this one his finest and rarest gifts of imagination and emotion, feeling and fancy, color and melody, are as apparent as his ingrained faults of levity and laziness. The famous passage in which Webster couples together the names of "Mr. Shakespeare, Mr. Dekker, and Mr. Heywood," seems explicable when we compare the style of "Old Fortunatus" with the style of "A Midsummer Night's Dream." Dekker had as much of the peculiar sweetness, the gentle fancy, the simple melody of Shakespeare in his woodland dress, as Heywood of the homely and noble realism, the heartiness and humor, the sturdy sympathy and joyful pride of Shakespeare in his most English mood of patriotic and historic loyalty. Not that these qualities are wanting in the work of Dekker: he was an ardent and a combative patriot, ever ready to take up the cudgels in prose or rhyme for England and her yeomen against Popery and the world: but it is rather the man than the poet who speaks on these occasions: his singing faculty does not apply itself so naturally to such work as to the wild wood-notes of passion and fancy and pathos which in his happiest moments, even when they remind us of Shakespeare's, provoke no sense of unworthiness or inequality in comparison with these. It is not with the most popular and famous names of his age that the sovereign name of Shakespeare is most properly or most profitably to be compared. His genius has really far less in common with that of Jonson or of Fletcher than with that of Webster or of Dekker. To the last-named poet even Lamb was for once less than just when he said of the "frantic Lover" in "Old Fortunatus" that "he talks |
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