the captured forts, proceeded to operate against the invaders. His
troops harassed the enemy in a number of petty engagements, and in the
course of time inflicted on them considerable loss. In this way
midsummer was reached--the Etesian winds began to blow, and the Nile to
rise. Gradually the abounding stream spread itself over the broad Delta;
roads were overflowed, river-courses obliterated; the season for
military operations was clearly past. There was no possible course but
to return to Asia. Iphicrates and Pharnabazus took their departure amid
mutual recriminations, each accusing the other of having caused the
expedition to be a complete failure.

The repulse of this huge host was felt by the Egyptians almost as the
repulse of the host of Xerxes was felt by the Greeks. Nectanebo was
looked upon as a hero and a demigod; his throne was assured; it was felt
that he had redeemed all the failures of the past, and had restored
Egypt to the full possession of all her ancient dignity and glory.
Nectanebo continued to rule over "the Two Lands" for nine years longer
in uninterrupted peace, honour, and prosperity. During this time he
applied himself, with considerable success, to the revival of Egyptian
art and architecture. At Thebes he made additions to the great temple of
Karnak, restored the temple of Khonsu, and adorned with reliefs a shrine
originally erected by Ramesses XII. At Memphis he was extraordinarily
active: he built a small temple in the neighbourhood of the Serapeum,
set up inscriptions in the Apis repository in honour of the sacred
bulls, erected two small obelisks in black granite, and left his name
inscribed more than once in the quarries of Toora. Traces of his
activity are also found at Edfu, at Abydos, at Bubastis, at Rosetta in
the Delta, and at Tel-el-Maskoutah. The art of his time is said to have
all the elegance of that produced under the twenty-sixth (Psamatik)
dynasty, but to have been somewhat more florid. The two black obelisks