There seems to be in Man a Composition of natural Powers and
Capacities, not unlike to these. From hence I would take the
first Original of their distinguishing _Genij_. The Words by
which they are usually explain'd, have a manifest Allusion
hereto. Thus we say of some Men, they have a brisk and airy
_Genius_; of others, they have a strong and active _Genius_, a
quick and lively Spirit, a grave and solemn Temper, and the like.
The different readiness of Apprehension, strength of Judgment,
vivacity of Fancy and Imagination, with a more or less active
Disposition, and the several Mixtures of which these Powers are
capable, are sufficient to explain this. They may shew us how
some have a particular _Genius_ for Wit and Humour, others for
Thought and Speculation. Whence it is, some love a constant and
persevering Application to whatever they undertake; and others
are continually jumping from one Thing to another, without
finishing any thing at all.

But we do not only consider in Musick these Materials, as I may
call them, of which it is composed; but also the Style and
Manner. This diversifies the _Genius_ of the Composer, and
produces the most sensible and touching Difference. There is in
all Musick the natural difference of Tone and Measure. They are
to be found in the most vulgar Compositions of a Jig or an
Hornpipe. But it is a full Knowledge of the Force and Power of
Sounds, and a judicial Application of them to the several
Intentions of Musick, that forms the Style of a _Purcel_ or
_Corelli_. This is owing to successive Improvements. The Ear is
formed to an elegant Judgment by Degrees. What is harsh and
harmonious is discovered and corrected. By many Advantages, some
at last come to find out what, in the whole Compass of Sounds, is