Charles Dickens and Music by James T. Lightwood
page 60 of 210 (28%)
page 60 of 210 (28%)
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which is maddening.... The noise is supposed to be
particularly obnoxious to evil spirits. But it was these same bells, which he found so maddening, that inspired him with the title of a well-known story. He had chosen a subject, but was at a loss for a name. As he sat working one morning there suddenly rose up from Genoa the clang and clash of all its steeples, pouring into his ears, again and again, in a tuneless, grating, discordant jerking, hideous vibration that made his ideas spin round and round till they lost themselves in a whirl of vexation and giddiness, and dropped down dead.... Only two days later came a letter in which not a syllable was written but 'We have heard THE CHIMES at midnight, Master Shallow,' and I knew he had discovered what he wanted.[11] Yet, in spite of all this, Dickens shows--through his characters--a deep interest in bells and bell-lore. Little Paul Dombey finds a man mending the clocks at Dr. Blimber's Academy, and asks a multitude of questions about chimes and clocks; as, whether people watched up in the lonely church steeples by night to make them strike, and how the bells were rung when people died, and whether those were different bells from wedding-bells, or only sounded dismal in the fancies of the living; and then the precocious small boy proceeds to give the astonished clockmaker some useful information about King Alfred's candles and curfew-bells. |
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