Charles Dickens and Music by James T. Lightwood
page 61 of 210 (29%)
page 61 of 210 (29%)
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As Smike and Nicholas tramp their long journey to Portsmouth
they hear the sheep-bells tinkling on the downs. To Tom Pinch journeying Londonwards 'the brass work on the harness was a complete orchestra of little bells.' What a terror the bells are to Jonas Chuzzlewit just before he starts on his evil journey! He hears the ringers practising in a neighbouring church, and the clashing of their bells was almost maddening. Curse the clamouring bells! they seemed to know that he was listening at the door, and to proclaim it in a crowd of voices to all the town! Would they never be still? They ceased at last, and then the silence was so new and terrible that it seemed the prelude to some dreadful noise. The boom of the bell is associated with many of the villains of the novels. Fagin hears it when under sentence of death. Blackpool and Carker hear the accusing bells when in the midst of planning their evil deeds. We can read the characters of some by the way they ring a bell. The important little Mr. Bailey, when he goes to see his friend Poll Sweedlepipe (_M.C._) 'came in at the door with a lunge, to get as much sound out of the bell as possible,' while Bob Sawyer gives a pull as if he would bring it up by the roots. Mr. Clennam pulls the rope with a hasty jerk, and Mr. Watkins Tottle with a faltering jerk, while Tom Pinch gives a gentle pull. And how angry Mr. Mantalini is with |
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