History and Practice of the Art of Photography by Henry Hunt Snelling
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page 13 of 134 (09%)
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with success. Thinking, at that time, that it was necessary
to place the sitters in a very strong light, they were all taken with their eyes closed. Others were experimenting at the same time, among them Mr. Wolcott and Prof. Draper, and Mr. Morse, with his acustomed modesty, thinks that it would be difficult to say to whom is due the credit of the first Daguerreotype portrait. At all events, so far as my knowledge serves me, Professor Morse deserves the laurel wreath, as from him originated the first of our inumerable class of Daguerreotypists; and many of his pupils have carried the manipulation to very great perfection. In connection with this matter I will give the concluding paragraph of a private letter from the Professor to me; He says. "If mine were the first, other experimenters soon made better results, and if there are any who dispute that I was first, I shall have no argument with them; for I was not so anxious to be the first to produce the result, as to produce it in any way. I esteem it but the natural carrying out of the wonderful discovery, and that the credit was after all due to Daguerre. I lay no claim to any improvements." Since I commenced the compilation of this work, I have had the pleasure of making the acquaintance of an American gentleman--James M. Wattles Esq.-- who as early as 1828--and it will be seen, by what I have already stated, that this is about the same date of M. Niepce's discovery--had his attention attracted to the subject of Photography, or as he termed it "Solar picture drawing," while taking landscape views by means of the camera-obscura. When we reflect upon all the circumstances connected with his experiments, the great disadvantages under which be labored, and his extreme youthfullness, |
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