History and Practice of the Art of Photography by Henry Hunt Snelling
page 14 of 134 (10%)
page 14 of 134 (10%)
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we cannot but feel a national pride--yet wonder--that a mere yankee boy,
surrounded by the deepest forests, hundred of miles from the populous portion of our country, without the necessary materials, or resources for procuring them, should by the force of his natural genius make a discovery, and put it in practical use, to accomplish which, the most learned philosophers of Europe, with every requisite apparatus, and a profound knowledge of chemistry--spent years of toil to accomplish. How much more latent talent may now be slumbering from the very same cause which kept Mr. Wattles from publicly revealing his discoveries, viz; want of encouragement--ridicule! At the time when the idea of taking pictures permanently on paper by means of the camera-obscura first occurred to him, he was but sixteen years of age, and under the instructions of Mr. Charles Le Seuer, (a talented artist from Paris) at the New Harmony school, Indiana. Drawing and painting being the natural bent of his mind, be was frequently employed by the professors to make landscape sketches in the manner mentioned. The beauty of the image of these landscapes produced on the paper in the camera-obscura, caused him to pause and admire them with all the ardor of a young artist, and wish that by some means, he could fix them there in all their beauty. From wishing he brought himself to think that it was not only possible but actually capable of accomplishment and from thinking it could, he resolved it should be done. He was, however, wholly ignorant of even the first principles of chemistry, and natural philosophy, and all the knowledge he was enabled to obtain from his teachers was of very little service to him. To add to this, whenever he mentioned his hopes to his parents, they laughed at him, and bade him attend to his studies and let |
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