How to Listen to Music, 7th ed. - Hints and Suggestions to Untaught Lovers of the Art by Henry Edward Krehbiel
page 72 of 278 (25%)
page 72 of 278 (25%)
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[Sidenote: _The wood-winds._]
Since the instruments of the wood-wind choir are frequently used in solos, their acquaintance can easily be made by an observing amateur. To this division of the orchestra belong the gentle accents in the instrumental language. Violent expression is not its province, and generally when the band is discoursing in heroic style or giving voice to brave or angry emotion the wood-winds are either silent or are used to give weight to the body of tone rather than color. Each of the instruments has a strongly characteristic voice, which adapts itself best to a certain style of music; but by use of different registers and by combinations among them, or with the instruments of the other choirs, a wide range of expression within the limits suggested has been won for the wood-winds. [Sidenote: _The flute._] [Sidenote: _The piccolo flute._] [Sidenote: _Janizary music._] [Sidenote: _The story of the flute._] The flute, which requires no description, is, for instance, an essentially soulless instrument; but its marvellous agility and the effectiveness with which its tones can be blended with others make it one of the most useful instruments in the band. Its native character, heard in the compositions written for it as a solo instrument, has prevented it from being looked upon with dignity. As a rule, brilliancy is all that is expected from it. It is a sort of _soprano |
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