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How to Listen to Music, 7th ed. - Hints and Suggestions to Untaught Lovers of the Art by Henry Edward Krehbiel
page 73 of 278 (26%)
leggiero_ with a small range of superficial feelings. It can
sentimentalize, and, as Dryden says, be "soft, complaining," but when
we hear it pour forth a veritable ecstasy of jubilation, as it does in
the dramatic climax of Beethoven's overture "Leonore No. 3," we marvel
at the transformation effected by the composer. Advantage has also
been taken of the difference between its high and low tones, and now
in some romantic music, as in Raff's "Lenore" symphony, or the prayer
of _Agathe_ in "Der Freischütz," the hollowness of the low tones
produces a mysterious effect that is exceedingly striking. Still the
fact remains that the native voice of the instrument, though sweet,
is expressionless compared with that of the oboe or clarinet. Modern
composers sometimes write for three flutes; but in the older writers,
when a third flute is used, it is generally an octave flute, or
piccolo flute (Plate III.)--a tiny instrument whose aggressiveness of
voice is out of all proportion to its diminutiveness of body. This is
the instrument which shrieks and whistles when the band is playing at
storm-making, to imitate the noise of the wind. It sounds an octave
higher than is indicated by the notes in its part, and so is what is
called a transposing instrument of four-foot tone. It revels in
military music, which is proper, for it is an own cousin to the
ear-piercing fife, which annually makes up for its long silence in the
noisy days before political elections. When you hear a composition in
march time, with bass and snare drum, cymbals and triangle, such as
the Germans call "Turkish" or "Janizary" music, you may be sure to
hear also the piccolo flute. The flute is doubtless one of the oldest
instruments in the world. The primitive cave-dwellers made flutes of
the leg-bones of birds and other animals, an origin of which a record
is preserved in the Latin name _tibia_. The first wooden flutes were
doubtless the Pandean pipes, in which the tone was produced by blowing
across the open ends of hollow reeds. The present method, already
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