deal of the fantastical in its romance. If the news had been true, and
if he had been really dead and buried, it would be difficult to restrain
a smile at the sort of honours that were paid to his memory by the less
brain-gifted portion of his admirers. One of these, Antonio di Beccaria,
a physician of Ferrara, when he ought to have been mourning for his own
deceased patients, wrote a poetical lamentation for Petrarch's death.
The poem, if it deserve such a name, is allegorical; it represents a
funeral, in which the following personages parade in procession and
grief for the Laureate's death. Grammar, Rhetoric, and Philosophy are
introduced with their several attendants. Under the banners of Rhetoric
are ranged Cicero, Geoffroy de Vinesauf, and Alain de Lisle. It would
require all Cicero's eloquence to persuade us that his comrades in the
procession were quite worthy of his company. The Nine Muses follow
Petrarch's body; eleven poets, crowned with laurel, support the bier,
and Minerva, holding the crown of Petrarch, closes the procession.

We have seen that Petrarch left Naples foreboding disastrous events to
that kingdom. Among these, the assassination of Andrew, on the 18th of
September, 1345, was one that fulfilled his augury. The particulars of
this murder reached Petrarch on his arrival at Avignon, in a letter from
his friend Barbato.

From the sonnets which Petrarch wrote, to all appearance, in 1345 and
1346, at Avignon or Vaucluse, he seems to have suffered from those
fluctuations of Laura's favour that naturally arose from his own
imprudence. When she treated him with affability, he grew bolder in his
assiduities, and she was again obliged to be more severe. See Sonnets
cviii., cix., and cxiv.

During this sojourn, though he dates some of his pleasantest letters