Prose Masterpieces from Modern Essayists by Leslie Stephen;William Ewart Gladstone;Edward A. Freeman;James Anthony Froude;John Henry Newman
page 24 of 199 (12%)
page 24 of 199 (12%)
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From the England of Fielding and Richardson to the England of Miss
Austen, from the England of Miss Austen to the England of Railways and Free Trade, how vast the change! Yet perhaps Sir Charles Grandison would not seem so strange to us now as one of ourselves will seem to our great-grandchildren. The world moves faster and faster; and the difference will probably be considerably greater. The temper of each new generation is a continual surprise. The Fates delight to contradict our most confident expectations. Gibbon believed that the era of conquerors was at an end. Had he lived out the full life of man, he would have seen Europe at the feet of Napoleon. But a few years ago we believed the world had grown too civilized for war, and the Crystal Palace in Hyde Park was to be the inauguration of a new era. Battles bloody as Napoleon's are now the familiar tale of every day; and the arts which have made greatest progress are the arts of destruction. What next? We may strain our eyes into the future which lies beyond this waning century; but never was conjecture more at fault. It is blank darkness, which even the imagination fails to people. What, then, is the use of History, and what are its lessons? If it can tell us little of the past, and nothing of the future, why waste our time over so barren a study? First, it is a voice forever sounding across the centuries the laws of right and wrong. Opinions alter, manners change, creeds rise and fall, but the moral law is written on the tablets of eternity. For every false word or unrighteous deed, for cruelty and oppression, for lust or vanity, the price has to be paid at last; not always by the chief offenders, but paid by some one. Justice and truth alone endure and live. Injustice and falsehood may be long-lived, but doomsday comes at |
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