Prose Masterpieces from Modern Essayists by Leslie Stephen;William Ewart Gladstone;Edward A. Freeman;James Anthony Froude;John Henry Newman
page 25 of 199 (12%)
page 25 of 199 (12%)
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last to them, in French revolutions and other terrible ways.
That is one lesson of history. Another is, that we should draw no horoscopes; that we should expect little, for what we expect will not come to pass. Revolutions, reformations,--those vast movements into which heroes and saints have flung themselves, in the belief that they were the dawn of the millennium,--have not borne the fruit which they looked for. Millenniums are still far away. These great convulsions leave the world changed,--perhaps improved, but not improved as the actors in them hoped it would be. Luther would have gone to work with less heart, could he have foreseen the Thirty Years' War, and in the distance the theology of Tubingen. Washington might have hesitated to draw the sword against England, could he have seen the country which he made as we see it now.[2] The most reasonable anticipations fail us, antecedents the most apposite mislead us, because the conditions of human problems never repeat themselves. Some new feature alters every thing,--some element which we detect only in its after-operation. But this, it may be said, is but a meagre outcome. Can the long records of humanity, with all its joys and sorrows, its sufferings and its conquests, teach us more than this? Let us approach the subject from another side. If you were asked to point out the special features in which Shakespeare's plays are so transcendently excellent, you would mention perhaps, among others, this--that his stories are not put together, and his characters are not conceived, to illustrate any particular law or principle. They teach many lessons, but not any one prominent above |
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