In a short time, however, the voices of scholarly skeptics began to be
heard in the land, and accurate and unbiased criticism laid bare the
fraud. The Latinity was attacked and exception taken to Silver Age
prose in which was found a French police regulation which required newly
arrived travellers to register their names in the book of a police
officer of an Italian village of the first century. Although they are
still retained in the text by some editors, this is done to give some
measure of continuity to an otherwise interrupted narrative, but they can
only serve to distort the author and obscure whatever view of him the
reader might otherwise have reached. They are generally printed between
brackets or in different type.

In 1768 another and far abler forger saw the light of day. Jose
Marchena, a Spaniard of Jewish extraction, was destined for an
ecclesiastical career. He received an excellent education which served
to fortify a natural bent toward languages and historical criticism. In
his early youth he showed a marked preference for uncanonical pursuits
and heretical doctrines and before he had reached his thirtieth year
prudence counseled him to prevent the consequences of his heresy and
avoid the too pressing Inquisition by a timely flight into France.
He arrived there in time to throw himself into the fight for liberty,
and in 1800 we find him at Basle attached to the staff of General Moreau.
While there he is said to have amused himself and some of his cronies by
writing notes on what Davenport would have called "Forbidden Subjects,"
and, as a means of publishing his erotic lucubrations, he constructed
this fragment, which brings in those topics on which he had enlarged.
He translated the fragment into French, attached his notes, and issued
the book. There is another story to the effect that he had been
reprimanded by Moreau for having written a loose song and that he
exculpated himself by assuring the general that it was but a new fragment