Venetian Life by William Dean Howells
page 247 of 329 (75%)
page 247 of 329 (75%)
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We had hardly deposited the bier upon the floor in the centre of the nave,
when two pale young friars appeared, throwing off their hooded cloaks of coarse brown, as they passed to the sacristy, and reappearing in their rope-girdled gowns. One of them bore a lighted taper in his right hand and a book in his left; the other had also a taper, but a pot of holy water instead of the book. They are very handsome young men, these monks, with heavy, sad eyes, and graceful, slender figures, which their monastic life will presently overload with gross humanity full of coarse appetites. They go and stand beside the bier, giving a curious touch of solemnity to a scene composed of the four pleasant ruffians in the loaferish postures which they have learned as facchini waiting for jobs; of the two boys with inattentive grins, and of the priest with wandering eyes, kneeling behind them. A weak, thin-voiced organ pipes huskily from its damp loft: the monk hurries rapidly over the Latin text of the service, while "His breath to heaven like vapor goes" on the chilly, humid air; and the other monk makes the responses, giving and taking the sprinkler, which his chief shakes vaguely in the direction of the coffin. They both bow their heads--shaven down to the temples, to simulate His crown of thorns. Silence. The organ is still, the priest has vanished; the tapers are blown out; the pall-bearers lay hold of the bier, and raise it to their shoulders; the boys slouch into procession behind them; the monks glide softly and dispiritedly away. The soul is prepared for eternal life, and the body for the grave. The ruffians are expansively gay on reaching the open air again. They |
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