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A History of English Literature by Robert Huntington Fletcher
page 318 of 438 (72%)
With shivering heart the strife we saw
Of passion with eternal law.

His poetry has also an elemental sweep and grandeur. The majesty of Nature,
especially of the mountains and the ocean, stirs him to feeling which often
results in superb stanzas, like the well-known ones at the end of 'Childe
Harold' beginning 'Roll on, thou deep and dark blue Ocean, roll'! Too
often, however, Byron's passion and facility of expression issue in bombast
and crude rhetoric. Moreover, his poetry is for the most part lacking in
delicacy and fine shading; scarcely a score of his lyrics are of the
highest order. He gives us often the blaring music of a military band or
the loud, swelling volume of an organ, but very seldom the softer tones of
a violin or symphony.

To his creative genius and power the variety as well as the amount of his
poetry offers forceful testimony.

In moods of moral and literary severity, to summarize, a critic can
scarcely refrain from dismissing Byron with impatient contempt;
nevertheless his genius and his in part splendid achievement are
substantial facts. He stands as the extreme but significant exponent of
violent Romantic individualism in a period when Romantic aspiration was
largely disappointed and disillusioned, but was indignantly gathering its
strength for new efforts.

PERCY BYSSHE SHELLEY, 1792-1832. Shelley resembles Byron in his
thorough-going revolt against society, but he is totally unlike Byron in
several important respects. His first impulse was an unselfish love for his
fellow-men, with an aggressive eagerness for martyrdom in their behalf; his
nature was unusually, even abnormally, fine and sensitive; and his poetic
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