in the semi-darkness you cannot but fall into them.

The trap into which Henry fell was a raised board. It was not a very
highly-raised board. It was not so deep as a well, nor so wide as a
church-door, but 'twas enough--it served. Stubbing it squarely with his
toe, Henry shot forward, all arms and legs.

It is the instinct of Man, in such a situation, to grab at the nearest
support. Henry grabbed at the Hotel Superba, the pride of the
Esplanade. It was a thin wooden edifice, and it supported him for
perhaps a tenth of a second. Then he staggered with it into the
limelight, tripped over a Bulgarian officer who was inflating himself
for a deep note, and finally fell in a complicated heap as exactly in
the centre of the stage as if he had been a star of years' standing.

It went well; there was no question of that. Previous audiences had
always been rather cold towards this particular song, but this one got
on its feet and yelled for more. From all over the house came rapturous
demands that Henry should go back and do it again.

But Henry was giving no encores. He rose to his feet, a little stunned,
and automatically began to dust his clothes. The orchestra, unnerved by
this unrehearsed infusion of new business, had stopped playing.
Bulgarian officers and Japanese girls alike seemed unequal to the
situation. They stood about, waiting for the next thing to break loose.
From somewhere far away came faintly the voice of the stage-manager
inventing new words, new combinations of words, and new throat noises.

And then Henry, massaging a stricken elbow, was aware of Miss Weaver at
his side. Looking up, he caught Miss Weaver's eye.