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The Renascence of Hebrew Literature (1743-1885) by Nahum Slouschz
page 91 of 209 (43%)
explain the success of this writer, well merited even though he lacked
originality. His books were spread broadcast, by the millions of copies,
and they fostered love of Hebrew, of science, and knowledge in general
among the people. By this token, Schulman was a civilizing agent of the
first rank. His work is the portal through which the Maskil had to pass,
and sometimes passes to this day, on the path of development toward
modern civilization.

Schulman became the head of a school. His poetic and inflated style long
imposed itself upon all subjects, and hindered the natural development
of Hebrew prose, inaugurated by Mordecai A. Ginzburg.

More creative writers were not long in making their appearance. Among
the poets of the romantic school, a prominent place belongs to Micah
Joseph Lebensohn, briefly called Mikal (1828-1852), the son of Abraham
Bar Lebensohn.

Gentle and gracious in the same measure in which his father was hard and
unyielding, Micah Joseph Lebensohn was the only writer of the time to
enjoy the advantage of a complete modern education, and the only one of
his generation to escape cruel want and the struggle for personal
freedom. He knew German literature thoroughly, and he had taken a course
in philosophy at Berlin, under Schelling. Along with these attainments,
he was master of Hebrew as a living language. It was the vehicle for his
most intimate thoughts and the subtlest shades of feeling.

His rich poetic imagination, his harmonious style, warm figures of
speech, consummate lyric quality, unmarred by the blatant, crude
exaggerations of his predecessors, constitute Mikal the first artist of
his day in Hebrew poetry.
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